Thursday, October 25, 2012

>>>>> A4 Perceptual apparatus/ Window expander/ Phase 3

>>>>> Constructing prototypes


Studio Mumbai: Work-Place Exhibition, Lausanne 2011 [1]


“(…) Windows are almost unnecessary in the Indian climate. Studio Mumbai buildings and rooms are more often enclosed by shutter screens allowing the passage of air and, like Japanese paper screens, a variety of relationships between inside and outside. The agents of movement, crafted 
bronze rollers, hinges and clasps are Studio Mumbai products, they transform the house into a responsive and adaptive machine
 where entire walls fold together like the pages of a book. When windows do appear, their horizontal format recalls the Eames House or other high points of modernism in India (including Pierre Jeanneret's experiments with domestic cross ventilation in Chandigarh). The beautiful and ingenious opening mechanism and hand-carved grips operating the horizontal windows between bedrooms and veranda in the Utsav House, for
 example, are close relatives to the pivoting horizontal louvres that cover the three-floor facade of the 1935-1942 Golconde Dormitory at the Aurobindo Ashram 
in Pondicherry by Antonin Raymond (…)”[2].

Peter Wilson

Studio Mumbai: Utsav HouseSatirje, Maharashtra, India 2008 [3]

[1] STUDIO MUMBAI: Work-Place Exhibition, Lausanne 2011 in MARCOS, Fernando, LEVENE, Richard (ed.), Studio Mumbai 2003-2011. Ways of doing and making, El Croquis nº 157, 2011, Pg.45
[2] WILSON, Peter: “Studio Mumbai. Ways of doing and making” in MARCOS, Fernando, LEVENE, Richard (ed.), Studio Mumbai 2003-2011. Ways of doing and making, El Croquis nº 157, 2011, Pg.45
[3] STUDIO MUMBAI: Utsav House: http://www.studiomumbai.com


>>>>> Public Lecture by Architect, Bijoy Jain – founder of Studio Mumbai. 

'Ways of Doing and Making' 

Tuesday, 30th of October at 13.00 in the Auditorium, Nørreport 20, AAA.

No comments:

Post a Comment